18x24 watercolor paper, technical pen and probably pastel pencil or just regular pencil blended with a q-tip. This was done for a friend who owned a wine and spirits shop, so I guess it's a vine. Or a tree. Whichever....
Ink on watercolor paper. I am experimenting with different color combinations. I think the distribution of different sized monsters is acceptable, but i am not quite happy with the colors of them. Suggestions are appreciated!
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
A quick group portrait I made to try making a timelapse of the process. The timelapse is posted to my instagram account. This time, I used brown and yellow bister ink on watercolor paper. Normally I paint the monsters themselfves, but now I used negative painting to create them.
Inspired by the colors of chemical element: Bismuth (with symbol Bi). Watercolor + Ballpoint pen on 140lb Strathmore Vision watercolor paper (Size: 6” x 9”)
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
I was gifted a pad of Yupo watercolor paper. The color vibrancy is unreal! Definitely a learning curb but the results are so fun. Plus this got me painting again. Working digital is such an easy fall back, but nothing beats a brush to paper.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.
had to paint light through trees in watercolor. The pattern on the chair was a pain in the butt, but I think it came out ok. Winsor & Newton professional watercolors on Blick premier cold press 140lb watercolor block. This is the first time I've used Blick Watercolor paper. It held up well, but the painting came out kind of light (not sure if the paper had anything to do with that, though). At any rate, I bought a bunch of it, so I guess that's what I'm using!
